Category: press

  • “Notes from Dachau and Anne Frank’s House”

    June 18, 2008 – Centennial, CO – Donald L. Vasicek, award-winning writer/
    filmmaker for the Sand Creek Massacre documentary film recently traveled to
    Europe.  Amongst his stops was Dachau, a Nazi concentration camp about nine
    miles or fifteen kilometers northwest of Munich.  Vasicek, known for his campaign
    to educate others about American native people, nevertheless, was stunned by
    what he saw and experienced at Dachau and in Anne Frank’s house in Amsterdam.
    Part of his notes are as follows:

    ENTRY TO DACHU
    ENTRY TO DACHU

    “To escape from Dachau, one had to sprint across an eight-foot wide
    strip of grass.  The grass was nurtured there for prisoners.  It encircled
    the interior of the camp.  If one stepped on the grass, they were shot.  If
    one made it past  the grass to a v-shaped cement moat that also surrounded
    the interior of the camp, they had to scamper down into the moat, up the other
    side of it to barbed wire that was spread on up-sloping ground.  An, at least
    ten-foot high electric fence with barbed wire curled on top of it like large circles
    drawn with barbed spikes on it, was the last barrier to escape from a place
    where an estimated 50,000 human beings were murdered.
    ENTRY (ORIGINAL)TO DACHU
    ENTRY (ORIGINAL)TO DACHU

    “As I toured the camp and listened to the tour guide’s description of the camp,
    what was there, and what is presently there and why, I felt like I had stepped
    into the past.  All of the books I had read,  all of the movies and documentary films
    I had seen, all of what I had learned about that horrific time, came to the surface there.  I got a
    dose of reality.  I could feel the terror, the pain, and the sorrow.  I constantly
    asked myself, how could anyone create such a horrifying place?  I was stunned
    to realize how real Dachau had been, how much hate had been generated to mask
    the reality of breathing human beings.

    “When I walked up to the crematorium, I traced the steps of prisoners who could
    no longer work or work, like women, children, elders, the sick, prisoners who were gay,
    prisoners who were gypsies and other “throwaways”, as Nazis often called them.

    “The first room was the room where prisoners had to strip themselves naked.  Then, they
    walked to the next room, which had a lower ceiling than the rooms in the rest of the building
    and no windows.  They were told they were going to take showers, but instead, poison
    pellets were dropped into the room in two hinged box-like containers in one wall that
    were filled with the pellets from outside of the building.”

    Think about that.  Just think about that.

    “The next room was the crematorium.  I stood in front of the ovens as the tour guide
    explained that towards the end of the war (World War II), the Nazis escalated the job, or
    as they called, the final solution.  They backlogged at Dachau.  The tour guide showed us
    how bodies were piled up, both inside and outside of the crematorium waiting to be
    burned.  Pictures taken at the time were prominent there.

    I stepped back from the photos.  I realized that anywhere I stepped, I stepped where
    Nazis and people condemned to death by ignorance had either once stood, or lay.  I
    know I am unique, different, because there is no one else who is me.  I just don’t like
    the idea that killing is a solution to solving problems.  Genocide is ignorance based on
    fear.  And according to some, fear is the second most powerful human emotion next to love.

    The tour guide mentioned that the German people, as recent as 1999, had decided to
    “come out” with their horrific past.  German children are now required to study World War II
    Nazism and come to the camps to learn.  The tour guide said the reason the German people
    had waited so long to “come out” was because of their shame for the
    terror  and devastation the Nazis had perpetuated on millions of others.”

    It is time, now, for the American people to do the same thing.  We must come out
    of our shame and stop genocide in America.  That is the very least we can
    do for the native people of America.  Our children must learn about native people,
    their cultures, their history, and who they are as human beings so that they can relate
    to them as human beings.

    No one is better than anyone else regardless of achievements, social standing, religion ,
    culture, race and/or material wealth. We are one because  we are human.  We are a collectiveness
    consciousness.  When we hurt someone, we  damage that consciousness.  This, in turn, causes
    all human beings to lose some of the positive energy this kind of
    consciousness brings to each one of us. 

    If one isn’t convinced, walk in the hidden recesses of a building next to Princes Gracht Canal
    in Amsterdam where thirteen year-old Anne Frank hid from the Nazis with her family for three
    years until they were betrayed and sent to camps. Walk in the rooms.
    I did.  Guess what?  Anne Frank was a talented girl, a writer, a young person with
    dreams and goals.  A Jewish girl who loved her family more than anything else
    in her world.  A human being.

    Princes Gracht Canal - Amsterdam
    Princes Gracht Canal – Amsterdam

    Feel her there.  Feel the terror.  Anne Frank, at age sixteen, died from typhoid in a concentration
    camp because of ignorance fueled by fear.  Genocide in its finest form.

    Then, there is the Sand Creek Massacre.  I’ve been at the site several times.  Sat in the grass
    by Sand Creek, camera in hand, alone, recording sounds, the sun warm on my back.  I felt like
    others were there.  You know, invisible, but there.  Perhaps apparitions, if I looked hard enough.
    On November 29, 1964, there were over five-hundred Cheyenne lodges there, perhaps a thousand
    or so Cheyenne people, seven-hundred soldiers, their horses, their equipment, their canons,
    their guns, their sabers, and Indian dogs and horses.  Their ignorance.  Their fear.  Their  hate.
    And there was murder there.  Rape. Mutilations.  Carnage.

    There is a prominent person who has done work at the Sand Creek Massacre Site.  I asked
    her if she ever “felt” anything while she was there doing her work.  She said, “No, not really, but I’ll
    never go out to the site at night.”  I asked her why.  She said, “I don’t know why, I just won’t go.”

    You might want to check it out, see how it makes you feel.  Perhaps it can remove you,
    even for a moment, from your reality and plunge you in the depths of losing sight of who
    human beings, all human beings really are, human beings, just like you and me.

    ####

    Contact:

    Donald L. Vasicek
    Olympus Films+, LLC

    The Zen of Writing


    dvasicek@earthlink.net
    303-903-2103

  • Award-Winning Writer/Filmmaker Donald L. Vasicek Launches New Sand Creek Massacre Website

    FOR IMMEDIATE RELEASE

    “Award-Winning Writer/Filmmaker Donald L. Vasicek Launches New Sand Creek Massacre Website”

    May 21, 2008 — CENTENNIAL, CO — Award-winning filmmaker, Donald L.
    Vasicek, has launched a new Sand Creek Massacre website.  Titled, “The Sand Creek Massacre”, the site contains in depth witness accounts of the massacre, the award-winning Sand Creek Massacre trailer for viewing, the award-winning Sand Creek Massacre documentary short for viewing, the story of the Sand Creek Massacre, and a Shop to purchase Sand Creek Massacre DVD’s and lesson
    plans including the award-winning documentary film/educational DVD.

    Vasicek, a board member of The American Indian Genocide Museum (www.aigenom.com)in Houston, Texas, said, “The website was launched to inform, to educate, and to provide educators, historians, students and all others the accessibility to the Sand Creek Massacre story.”

    The link/URL to the website is sandcreekmassacre.net.
    ###

    Contact:
    Donald L. Vasicek
    Olympus Films+, LLC

    The Zen of Writing


    dvasicek@earthlink.net

  • “The Man With Cobra Eyes” by Donald L. Vasicek

    A tall, thin man, maybe 50’s, long, shiny dark hair cascading down over his shoulders, with a set of black pupils that blazed like fire, sizzled, as he addressed me. “Tell the real truth. The Cheyennes were a murderous bunch who got what they deserved at Sand Creek.”

    I realized this man could move with the speed of a bullet and that he had a knife in his coat as sharp as a new razor blade.

    “Listen,” I said, “It doesn’t matter what the Cheyennes did before or after the Sand Creek Massacre. What matters is that at Sand Creek, they were raped, shot, knifed, mutilated, decapitated, executed, hung, and murdered. That is what my story is about, sir.”

    We were at a Hollywood bash, something that makes my stomach queasy, for some reason.

    The fat-free native man pushed his deerskin coat open. The handle of his pearl-handled Bowie knife in a leather holster in his waistband glistened off a large chandelier just above us.

    “You’re just as bad as they are.”

    “I assume they means the Cheyenne people.”

    “I’m not talking Greek to you.”

    “You’re a lecturer, an actor, a writer, and a couple of other things, right? ‘Dances with Wolves.’ ‘Far And Away’, ‘Geronimo,’ ‘Crazy Horse’, ‘Return To Lonesome Dove,’ ‘Deadmans Walk’, ‘Indian In The Cupboard’, ‘The Postman’, ‘Last Of The Dogmen’ ‘Last of the Mohicans.’ ” I searched him for a reaction. His black pupils leapt at me.

    “Yeah, got some mileage in the business. So…”

    “How would you feel if I told you how to do your work?”

    “No one can tell me how to do my work.”

    “I will tell you that when I finish the “Ghosts of Sand Creek” production, I want you to call me. I will want to see if you’ve learned any lessons since then.”

    I shook his hand firmly. His felt like a rock.

    -Donald L. Vasicek, The Writer/Filmmaker Whisperer, Olympus Films+, LLC, http://www.donvasicek.com, dvasicek@earthlink.net